A Message from Tod:
Over the past few months, you have been collecting sounds from all over Toronto, and now we’re nearing the time for me to explain how these sounds will form the concerto.
So far, I’ve thought of a couple of ways to incorporate these sounds into the final piece. First, it’s possible that the sounds you recorded and sent in will be directly incorporated into the piece. However, this has been done before, such as by the revolutionary composer John Cage. What will be more common for this project and also a much newer musical idea is the practice of taking these sounds and playing them with traditional instruments found in the Toronto Symphony Orchestra. By breaking down the sounds and interpreting them musically together, we’ll be able to closely relate these urban sounds in a much more classical way.
I experimented with this before while composing another opera of mine, “Skellig”, but accomplishing this transformation of sounds on this scale will require quite a lot of playing around with music and reflecting on what does and does not work. This is where you come in, as your help in listening to and tweaking these interpretations will be necessary in order to attain the most accurate reflections of the city. I can’t wait to move forward on the project with you and bring these collections of sounds to life.